#Haim days are gone full album zip how to#

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#Haim days are gone full album zip how to#

вЂDays Are GoneвЂ™ gives a very earnest portrait of three people learning how to shape their own destinies.

It captures the essence of a break-up album that is less about men and more about the search for independence. Speaking of belters, thereвЂ™s вЂLet Me GoвЂ™, a cry for freedom that sounds like something Florence + The Machine could have recorded if sheвЂ™d gone to work with Third Man Records. We might have been waiting 18 months for the album, but Haim have been working towards this since they were barely strong enough to hold a guitar, and over time theyвЂ™ve written more good tunes than most bands manage in a whole career.Д®arly single вЂForeverвЂ™ is paced a mere touch faster, lent momentum by its staccato melodies, while вЂGo SlowвЂ™ is still the perfect ballad, that repeated syllable in the bridge pushing forward into a belting chorus. The thundering drums on вЂRunning If You Call My NameвЂ™ is totally Phil Collins, while вЂIf I Could Change Your MindвЂ™ is adorned with the kind of glistening synths that wouldnвЂ™t be out of place on a Whitney Houston record.ДЄll those cooks in the kitchen mean Haim could have ended up making вЂTuskвЂ™ before theyвЂ™d finished their вЂRumoursвЂ™. Their early, critically adored mix of rockвЂ™nвЂ™roll guitars and вЂ™90s R&B harmonies is toned down in favour of straight power pop, full of вЂ™80s flourishes. Unsurprisingly, they quit, and Danielle later earned her leather jacket as a touring guitarist for Julian Casablancas. When Danielle and Este were scouted to play in manufactured girl group Valli Girls, they were prescribed hair extensions and caricature personalities and made to play teen-pop (see the toe-curling videos on YouTube).

The three sisters were first enlisted by their mum and dad to play classic rock and Motown covers in the family band at childrenвЂ™s hospitals and deli stores at their home in the San Fernando Valley. Haim are no strangers to popвЂ™s transformative powers, nor to the heavy-handed approach of major record labels. Puzzled bloggers noted that it sounded like Shania Twain. By the time Haim released their big summer single, вЂThe WireвЂ™, it had mutated into a hammy slice of country-pop, complete with string section and Auto-Tuned coda. Their label, Polydor, no doubt sensing they might have hit the jackpot too, wheeled in big-shot producers Ariel Rechtshaid (Major Lazer, Vampire Weekend, Usher) and James Ford (Arctic Monkeys, Florence + The Machine, Simian Mobile Disco), who added more bells and whistles than youвЂ™ll find in the Hamleys window display at Christmas. They won people over with their debut EP вЂForeverвЂ™ and some rapturously received performances at 2012вЂ™s SXSW. Part of the reason the wait has seemed so long is that Este, Danielle and Alana hit the jackpot relatively early. вЂDays Are GoneвЂ™ comprises some of their best live tracks (вЂForeverвЂ™, вЂThe WireвЂ™, вЂLet Me GoвЂ™) and some songs that havenвЂ™t been played live (вЂIf I Could Change Your MindвЂ™, вЂDays Are GoneвЂ™, вЂMy Song 5вЂ™) and lacquers them all with a thick coat of studio gloss. It will come as a shock to fans of their live show, won over by their raw mix of blues guitar, close vocal harmony and big sister EsteвЂ™s вЂbass faceвЂ™. After what feels like forever, the debut Haim album is finally here.